現代日本俳句選集Makoto Ueda University of Toronto Press, 1976 - 265 ページ The West has become familiar with Japanese haiku predominantly through the works of classical masters such as Bash , Buson, and Issa. If the leading haiku poets in modern Japan are unknown in the West, it is simply because translations of their works have not been available. This anthology presents, in English translation, twenty haikus each from the work of twenty modern poets. The writers have been selected to exemplify the various trends that have dominated Japanese haiku in the last hundred years, but the individual haiku have been selected for literary merit; more than anything else this is intended to be a book of poetry. In the introduction Professor Ueda traces the development of the verse form to the present. Brief biographies of the twenty poets are also provided. Haiku, by its very nature, asks each reader to be a poet. Thus, for each haiku the poetic translation is accompanied by the original Japanese and a word-by-word translation into English, and the reader is invited to compose his own poem, to enter into that private relationship with the poem that haiku demands. |
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... plum blossoms , ' he said . ' They treat it shallowly but pleasurably , lightly but tastefully . ' This was directly against the principles of naturalistic realism predomi- nant in modern literature , as Kyoshi himself knew . He did not ...
... Plum blossoms fall : turning in the moonlit night , a water wheel .元日に生れぬ先の親恋し Ganjitsu ni umarenu / saki - no / oya / koishi New - Year's - Day | on | not - born | prior | parents | long A student of Zen Buddhism is ...
... plum blossoms .顔洗ふ盥に立つや秋の影 Kao / arau / tarai / ni / tatsu / ya / aki - no / kage Facewashing basin | on | rises || autumn's | shadow 眠らざる僧の ... blossoms The piercing cold— I marry a plum blossom in a NATSUME SÕSEKI 45.