Manuel Zapata Olivella and the "darkening" of Latin American LiteratureUniversity of Missouri Press, 2005 - 148 ページ |
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... spaces figure prominently in his novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States. Changó ...
... spaces figure prominently in his novels. In China 6 a.m. (1955), his focus is com- munist China. With He visto la noche (1949), ¿Quién dio el fusil a Oswald? (1967), and Chambacú, emphasis is placed on the United States. Changó ...
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... space that defies categorization. A close reading of his works reveals that the process of identity construction and racial classification constitutes a major preoccupation with these ideologies. Thus, in the evolving attempt to ...
... space that defies categorization. A close reading of his works reveals that the process of identity construction and racial classification constitutes a major preoccupation with these ideologies. Thus, in the evolving attempt to ...
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... space for its own well- being . Essential to the development of the plot is the unwillingness of the people of the Sinú Valley to change or destroy their ecological sur- roundings . Nature in Tierra is a force confronting man in this ...
... space for its own well- being . Essential to the development of the plot is the unwillingness of the people of the Sinú Valley to change or destroy their ecological sur- roundings . Nature in Tierra is a force confronting man in this ...
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... space and its unique character- istics . Common to the area are devastating storms that cause diluvial destruction . Swamps , marshland , and river valley topography are vividly described along with native creatures such as regional ...
... space and its unique character- istics . Common to the area are devastating storms that cause diluvial destruction . Swamps , marshland , and river valley topography are vividly described along with native creatures such as regional ...
18 ページ
... space where its definition is blurred becomes problematized with the juxtaposition of class. Through characters such as the mulatto Jesús Espitia, Zapata Olivella explores the theme of black self-hatred. Many Latin Americans of African ...
... space where its definition is blurred becomes problematized with the juxtaposition of class. Through characters such as the mulatto Jesús Espitia, Zapata Olivella explores the theme of black self-hatred. Many Latin Americans of African ...
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Additionally aesthetic African ancestry African descent African diaspora Afro-Colombian Afro-Hispanic Agne America Antoñete Bogotá Chambacú Changó chapter characters Chimá claves Colombian colonial concept cultural depicts discourse Ebony Path Espitia essays ethnic European exploitation explored Father Berrocal fiction focus Harlem Hemingway heritage hijo Hispanic historical historiographic metafiction hombre hunger Hutcheon identity ideology Indian indigenous inhabitants Jorge José Raquel Kenya Kikuyo Latin American literature Levántate Linda Hutcheon literary magical realism major Manuel Zapata Olivella María Marvin Lewis Máximo ment mestizos metafiction Mexican miscegenation mixed mulato narrative voice narrator nature negro North American novel oppression Parmenio plight political postcolonial postmodernism presented protagonist race racial racism reader reality region religion religious Renata representation reveals Richard Jackson Ruperta Sacred Mammal saint scholars Secos sexual Sinú River Sinú River valley slavery social Spanish Tenth Street thematic theme Tierra tion traditions Treading the Ebony tri-ethnic United violence World writer Yoruba