Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 巻Gale Research Company, 1984 |
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... describes Beatrice ( at least in her earlier unreformed phase ) as ' self - centred ' , ' the embodiment of pride ' , a person who ' cannot love ' , ' a crippled personality , the very antithesis of the outgoing , self - giving ...
... describes Beatrice ( at least in her earlier unreformed phase ) as ' self - centred ' , ' the embodiment of pride ' , a person who ' cannot love ' , ' a crippled personality , the very antithesis of the outgoing , self - giving ...
252 ページ
... describes the pit as ' loathsome ' ( line 193 ) . When the first son ( Martius ) falls in , the second ( Quintus ) describes it almost as a kind of womb : What subtle hole is this , Whose mouth is covered with rude - growing briers Upon ...
... describes the pit as ' loathsome ' ( line 193 ) . When the first son ( Martius ) falls in , the second ( Quintus ) describes it almost as a kind of womb : What subtle hole is this , Whose mouth is covered with rude - growing briers Upon ...
360 ページ
... describes her horrified response to the creature in Petrarchan terms ( a sequence of paradoxes suggests her self - division and pa- ralysis ; see lines 907-912 ) . He accounts for her sudden change from belief to disbelief in Adonis ...
... describes her horrified response to the creature in Petrarchan terms ( a sequence of paradoxes suggests her self - division and pa- ralysis ; see lines 907-912 ) . He accounts for her sudden change from belief to disbelief in Adonis ...
目次
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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多く使われている語句
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York