Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 第 28 巻Gale Research Company, 1984 |
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... Political Thinker , ed . John Alvis and Thomas G. West ( Durham , N.C. , 1981 ) , p . 77 . 23 Robert Ornstein , A Kingdom for a Stage ( Cambridge , Mass . , 1972 ) , p . 121 . 24 Winny , Player King , p . 56 ; Prior , Drama of Power , p ...
... Political Thinker , ed . John Alvis and Thomas G. West ( Durham , N.C. , 1981 ) , p . 77 . 23 Robert Ornstein , A Kingdom for a Stage ( Cambridge , Mass . , 1972 ) , p . 121 . 24 Winny , Player King , p . 56 ; Prior , Drama of Power , p ...
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... political criticism . It is difficult to find discussions of the political situation of the Elizabethan theater that do not cite Eliz- abeth's remark to Lambarde as " evidence , " and it is equally rare to find readings that cite the ...
... political criticism . It is difficult to find discussions of the political situation of the Elizabethan theater that do not cite Eliz- abeth's remark to Lambarde as " evidence , " and it is equally rare to find readings that cite the ...
312 ページ
... political unconscious , and to catch a glimpse of it we have to broaden our field of inqui- ry beyond the traditional resources of political history— journals and letters written before and after the queen's death , or the histories of ...
... political unconscious , and to catch a glimpse of it we have to broaden our field of inqui- ry beyond the traditional resources of political history— journals and letters written before and after the queen's death , or the histories of ...
目次
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York