English Versification: A Complete Practical Guide to the Whole SubjectLongmans, Green, and Company, 1869 - 154 ページ |
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... close , by far the most predominant in the language , the term march is proposed instead of iambus , as indicative of the steady pace of verses composed in that metre . For feet of the same length , but with the accent on the first ...
... close , by far the most predominant in the language , the term march is proposed instead of iambus , as indicative of the steady pace of verses composed in that metre . For feet of the same length , but with the accent on the first ...
6 ページ
... close , two at the beginning of it . This divides them into two natural classes , which tend to have their affinities among themselves , but are rather antagonistic one to the other . The former of the two classes , namely , that with ...
... close , two at the beginning of it . This divides them into two natural classes , which tend to have their affinities among themselves , but are rather antagonistic one to the other . The former of the two classes , namely , that with ...
7 ページ
... close of the foot , and no return afterwards to an alternate can make the rhythm revert back . The verse may indeed be kept in the backward arrange- ment by force- Slówly lifting the | hórn that | húng at his side ; but this is an ...
... close of the foot , and no return afterwards to an alternate can make the rhythm revert back . The verse may indeed be kept in the backward arrange- ment by force- Slówly lifting the | hórn that | húng at his side ; but this is an ...
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... close connections as substantive and adjective , prepo- sition and its case , or so on , is a barbarism quite unpardon- able , except , indeed , in the grotesque , which excuses anything , even the division of a word , as in Canning's ...
... close connections as substantive and adjective , prepo- sition and its case , or so on , is a barbarism quite unpardon- able , except , indeed , in the grotesque , which excuses anything , even the division of a word , as in Canning's ...
10 ページ
... close in this ; the different aspect of monosyllables and polysyllables being an apt illustration of the contrast between what may be called single and double - membered verse . When the subject is light and trifling , the lesser form ...
... close in this ; the different aspect of monosyllables and polysyllables being an apt illustration of the contrast between what may be called single and double - membered verse . When the subject is light and trifling , the lesser form ...
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多く使われている語句
accent alliteration alternate arrangement ballad beat beauty blank verse cadence called close consonant couplet crown verse dactyl effect enclitic English epic eyes fair fall Five-foot fixed cesura flowers four feet Four-foot free verse gentle Annie Greek hand hath heart heaven hexameter hover impart instance irregular kind King Arthur language length light longer LYTTON march metre measure melody metrical nature night NUT-BROWN MAID o'er occasionally odd syllable odd-over pause piece poem poet poetic poetry primus ab prose prosody Public School Latin quatrain Queen Mab quick foot rest rhyme rhythm rhythmic roundel rule School Latin Primer seems short sing sleep song sorrow soul sound spondaic stanza star stave strong beginning structure sweet tears Telamonian Ajax thee thou three feet tone triplet tripping metre trochee unrhymed variety versification voice vowel weep winds words
人気のある引用
105 ページ - Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
104 ページ - My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: "Tis not through envy of thy happy lot, But being too happy in thine happiness, — That thou, light-winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
108 ページ - Now strike the golden lyre again: A louder yet, and yet a louder strain, Break his bands of sleep asunder, And rouse him, like a rattling peal of thunder. Hark, hark! the horrid sound Has raised up his head: As awaked from the dead, And amazed, he stares around. Revenge! revenge!
41 ページ - Everything did banish moan, Save the nightingale alone: She, poor bird, as all forlorn, Lean'd her breast up-till a thorn, And there sung the dolefull'st ditty, That to hear it was great pity. 'Fie, fie, fie...
95 ページ - When the broken arches are black in night, And each shafted oriel glimmers white; When the cold light's uncertain shower Streams on the ruined central tower; When buttress and buttress, alternately, Seem framed of ebon and ivory; When silver edges the imagery, And the scrolls that teach thee...
107 ページ - TWAS at the royal feast for Persia won By Philip's warlike son: Aloft in awful state The godlike hero sate On his imperial throne...
42 ページ - SPAKE full well, in language quaint and olden, One who dwelleth. by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine. Stars they are, wherein we read our history, As astrologers and seers of eld ; Yet not wrapped about with awful mystery, Like the burning stars, which they beheld.
102 ページ - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
103 ページ - tis said) Before was never made, But when of old the sons of morning sung, While the Creator great His constellations set, And the well-balanced world on hinges hung ; And cast the dark foundations deep, And bid the weltering waves their oozy channel keep.
82 ページ - Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; Tis the wind and nothing more.