Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific Criticism |
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action already analysis Antonio appears applied artist becomes brings Cæsar called carried Cassio central CHAP character comes common complete Complication conception connection course crime criticism Crown death distinct Drama dramatic Edition effect elements emotional enchantment evil eyes fact fall fate feels final follows fool force further give hand human humour idea illustrated incidents inductive interest intrigue justice kind King Lady leading Lear literary literature look Macbeth means mind moral Motion Motive movement murder nature Nemesis never object once passion personages play plot practical present rest Richard rise scene seems seen sense separate Shakespeare Shylock side single spirit stage stands story success suggests things third thou thought tion tone tragedy train treatment turn unity universe whole