Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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168 ページ
... sense and practical wisdom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy or the strong movements of passion . That is , he was ...
... sense and practical wisdom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy or the strong movements of passion . That is , he was ...
207 ページ
... sense of his wrongs , but not shaking his purpose . Once indeed , where Iago shows him Cassio with the handkerchief in his hand , and making sport ( as he thinks ) of his misfortunes , the intolerable bitterness of his feelings , the ...
... sense of his wrongs , but not shaking his purpose . Once indeed , where Iago shows him Cassio with the handkerchief in his hand , and making sport ( as he thinks ) of his misfortunes , the intolerable bitterness of his feelings , the ...
366 ページ
... sense of justice mixed up with the gall and bitterness of his resentment . The constant apprehension of being burnt alive , plundered , banished , reviled , and trampled on , might be supposed to sour the most forbearing nature , and to ...
... sense of justice mixed up with the gall and bitterness of his resentment . The constant apprehension of being burnt alive , plundered , banished , reviled , and trampled on , might be supposed to sour the most forbearing nature , and to ...
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actor admirable affection answer Antony Apemantus Banquo beauty better breath Caesar Caliban character Claudio comedy Cordelia Coriolanus Cymbeline daughter dear death Desdemona dost doth eyes Falstaff favour fear feeling fool genius give Gonerill grace hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet Julius Caesar king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony married Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus told tragedy true truth turn wish words Yorkshire Tragedy youth