Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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... England love and sexuality began to be subjected to the savage scrutiny of satire and tragedy . Tracing the growth of romantic comedy in Elizabethan England pro- vides insight into the ways in which people conceived of their emo- tional ...
... England love and sexuality began to be subjected to the savage scrutiny of satire and tragedy . Tracing the growth of romantic comedy in Elizabethan England pro- vides insight into the ways in which people conceived of their emo- tional ...
295 ページ
... England are neither artists nor the sacred monsters of royalty ( egotism in the powerful is a characteristic so ... England , so that , in England at any rate , the New Learning or Humanism inevitably explored classical forms and ...
... England are neither artists nor the sacred monsters of royalty ( egotism in the powerful is a characteristic so ... England , so that , in England at any rate , the New Learning or Humanism inevitably explored classical forms and ...
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... England , but just more feudal separatism . For those unwilling to abandon monarchical consolidation for ... England and Spain , the pace of theatrical events differed in the two countries . A tentative periodization might stress the ...
... England , but just more feudal separatism . For those unwilling to abandon monarchical consolidation for ... England and Spain , the pace of theatrical events differed in the two countries . A tentative periodization might stress the ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women