Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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It is significant that the only major play of Jonson's omitted from Knights's discussion is Bartholomew Fair , presumably because of its more ambiguous treatment of the attitudes and behavior satirized in Volpone and other plays .
It is significant that the only major play of Jonson's omitted from Knights's discussion is Bartholomew Fair , presumably because of its more ambiguous treatment of the attitudes and behavior satirized in Volpone and other plays .
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In this respect , Bartholomew Fair is " more radical than its author . " 17 Where Jonson ordinarily distances himself from his audience , resting his claim to special status on his superior learning , and representing the poet as ...
In this respect , Bartholomew Fair is " more radical than its author . " 17 Where Jonson ordinarily distances himself from his audience , resting his claim to special status on his superior learning , and representing the poet as ...
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20 Jonson does not contribute directly to this semantic and ideological redefinition ; but the comic resolution of Bartholomew Fair is a dramatization of the same basic principle . What is perhaps most remarkable about Bartholomew Fair ...
20 Jonson does not contribute directly to this semantic and ideological redefinition ; but the comic resolution of Bartholomew Fair is a dramatization of the same basic principle . What is perhaps most remarkable about Bartholomew Fair ...
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多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |