Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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158 ページ
... John Swinnerton serve as the hero of a morality plot in which the new Lord Mayor acquires the virtues he will need to conquer Envy . In this case , Dekker skillfully employs mobile pageants to represent Sir John's suc- cessive mastery ...
... John Swinnerton serve as the hero of a morality plot in which the new Lord Mayor acquires the virtues he will need to conquer Envy . In this case , Dekker skillfully employs mobile pageants to represent Sir John's suc- cessive mastery ...
161 ページ
... John Swinnerton even more clearly approximates Petrarch's idea . When Sir John encounters Neptune in his triumphal chariot , Neptune yields and becomes a henchman to Sir John's triumph . Next come encounters with Virtue ( who also rides ...
... John Swinnerton even more clearly approximates Petrarch's idea . When Sir John encounters Neptune in his triumphal chariot , Neptune yields and becomes a henchman to Sir John's triumph . Next come encounters with Virtue ( who also rides ...
479 ページ
... John's positive , and introduce this holy war into the design of the play . Against Sir John's pious project , Luke's assertion to the Indians that " You are learn'd Europeans , and we worse / Than ignorant Americans " ( III.iii . 127 ...
... John's positive , and introduce this holy war into the design of the play . Against Sir John's pious project , Luke's assertion to the Indians that " You are learn'd Europeans , and we worse / Than ignorant Americans " ( III.iii . 127 ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women