Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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151 ページ
... London ( 1522 ) and the tri- umphs of Pompey and Scipio is merely typical : What ioye eke was / the tryumphe of Scipion And of hym Pompey / to the romayns echone Lyke ioye to vs Charles / prince of Clemency Is at thy comyng / with ...
... London ( 1522 ) and the tri- umphs of Pompey and Scipio is merely typical : What ioye eke was / the tryumphe of Scipion And of hym Pompey / to the romayns echone Lyke ioye to vs Charles / prince of Clemency Is at thy comyng / with ...
152 ページ
... London tended to repeat the Roman pattern with literal fidelity . After his victory at Agincourt , Henry V led his prisoners through London in a triumph worthy of a Caesar . ' In a similar fashion , Henry VII's triumph after Bosworth ...
... London tended to repeat the Roman pattern with literal fidelity . After his victory at Agincourt , Henry V led his prisoners through London in a triumph worthy of a Caesar . ' In a similar fashion , Henry VII's triumph after Bosworth ...
460 ページ
... London's big business world . II It has long been recognized that the small citizen was a minor quantity in the audience of the Caroline " private " theaters . Jonson's Magnetic Lady ( Blackfriars , 1632 ) scorns “ the [ faeces ] , or ...
... London's big business world . II It has long been recognized that the small citizen was a minor quantity in the audience of the Caroline " private " theaters . Jonson's Magnetic Lady ( Blackfriars , 1632 ) scorns “ the [ faeces ] , or ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women