Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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terms of the same debate , Guy Walton has shown that the Baltimore Lucretia panel , dated to 1504 or slightly after , caps a discernible tradition of representations of the rape of Lucretia and Brutus's subsequent oration over her ...
terms of the same debate , Guy Walton has shown that the Baltimore Lucretia panel , dated to 1504 or slightly after , caps a discernible tradition of representations of the rape of Lucretia and Brutus's subsequent oration over her ...
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That Lucretia's power is , at the moment of her death , that of the phallus is unmistakable if Livy's passage is scrutinized . 69 Subsequent versions of the story , modeled on Livy's render more nearly explicit the sense in which ...
That Lucretia's power is , at the moment of her death , that of the phallus is unmistakable if Livy's passage is scrutinized . 69 Subsequent versions of the story , modeled on Livy's render more nearly explicit the sense in which ...
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73 Lucretia's act establishes the rigor of the law as above any and all circumstantial mitigation . It is thus no accident that Brutus , who is in a sense both Lucretia's final lover and her true spiritual offspring , is remembered by ...
73 Lucretia's act establishes the rigor of the law as above any and all circumstantial mitigation . It is thus no accident that Brutus , who is in a sense both Lucretia's final lover and her true spiritual offspring , is remembered by ...
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |