Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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127 ページ
... York's house to see the play , The Tempest , which we have often seen ; but yet I am pleased again , and shall be again to see it . " 1 In 1674 the revised Tempest was staged for the first time as an " opera , " with elaborate scenery ...
... York's house to see the play , The Tempest , which we have often seen ; but yet I am pleased again , and shall be again to see it . " 1 In 1674 the revised Tempest was staged for the first time as an " opera , " with elaborate scenery ...
149 ページ
... York , Chester , and Coventry continued to expand and perfect their traditional religious pageants , London concentrated upon civic triumphs , devising increasingly elaborate pageants to honor their sovereigns , welcome foreign princes ...
... York , Chester , and Coventry continued to expand and perfect their traditional religious pageants , London concentrated upon civic triumphs , devising increasingly elaborate pageants to honor their sovereigns , welcome foreign princes ...
159 ページ
... York upon Bosworth Field , he was literally crowned - pageant by pageant - in the streets of York . The plot is a clearly defined one , but it is based upon the coronation ceremony instead of a narrative fable . At the first station ...
... York upon Bosworth Field , he was literally crowned - pageant by pageant - in the streets of York . The plot is a clearly defined one , but it is based upon the coronation ceremony instead of a narrative fable . At the first station ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women