Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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... appear- ing in the mouth of a clever servant promising to show his master the facts of a given matter.99 But ... appears also in Singleton , Canti , p . 5. The phallic suggestiveness of the spadaccino or stocco is illuminated by ...
... appear- ing in the mouth of a clever servant promising to show his master the facts of a given matter.99 But ... appears also in Singleton , Canti , p . 5. The phallic suggestiveness of the spadaccino or stocco is illuminated by ...
177 ページ
... appears , we will see , as though Corneille were responding directly to Richelieu on this issue . However , I would ... appear somewhat gratuitous , linking reason of State , human reason , and men's aggressivity . Since Le Bret's book ...
... appears , we will see , as though Corneille were responding directly to Richelieu on this issue . However , I would ... appear somewhat gratuitous , linking reason of State , human reason , and men's aggressivity . Since Le Bret's book ...
447 ページ
... Pring - Mill , Introd . to Lope de Vega ( Five Plays ) , trans . Jill Booty ( New York , 1961 ) , pp . xxxi - xxxv . The quoted passage appears on p . xxxiii . not figure prominently in El burlador de Sevilla and El Intrigue Tragedy 447.
... Pring - Mill , Introd . to Lope de Vega ( Five Plays ) , trans . Jill Booty ( New York , 1961 ) , pp . xxxi - xxxv . The quoted passage appears on p . xxxiii . not figure prominently in El burlador de Sevilla and El Intrigue Tragedy 447.
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women