Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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Her kind of argument was repeated in 1643 in an anonymous text , La femme généreuse : " Having made women slaves ... for the present they reinforced the arguments of such as Descartes and Corneille , against writers like Richelieu or Le ...
Her kind of argument was repeated in 1643 in an anonymous text , La femme généreuse : " Having made women slaves ... for the present they reinforced the arguments of such as Descartes and Corneille , against writers like Richelieu or Le ...
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Jonathan Goldberg offers an analogous reading of these letters from a somewhat different perspective , arguing that if ... The logic which I have educed from Elias's argument about manners suggests that Malvolio is disgraced not only by ...
Jonathan Goldberg offers an analogous reading of these letters from a somewhat different perspective , arguing that if ... The logic which I have educed from Elias's argument about manners suggests that Malvolio is disgraced not only by ...
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There is , for example , a functionalist argument to the effect that transgression may only be licensed , a kind of ritual safety valve which , far from undermining the existing order , actually reinforces it .
There is , for example , a functionalist argument to the effect that transgression may only be licensed , a kind of ritual safety valve which , far from undermining the existing order , actually reinforces it .
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York