Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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... audiences indicate the growing importance of reader and audience response that occurred with the profes- sionalization of literature and its expansion to a widening segment of society . The tension between these two loci of self ...
... audiences indicate the growing importance of reader and audience response that occurred with the profes- sionalization of literature and its expansion to a widening segment of society . The tension between these two loci of self ...
18 ページ
... audience relationship . The address to the king and to the court mediates and helps to sustain the self - image Jonson puts forth in relation to the audience of the playhouse . The place of the author is finally privileged in opposition ...
... audience relationship . The address to the king and to the court mediates and helps to sustain the self - image Jonson puts forth in relation to the audience of the playhouse . The place of the author is finally privileged in opposition ...
460 ページ
... audience . Massinger would have expected a not insubstantial proportion of his Blackfriars audience of 1632 to have had close links with , or even to have been , people who would consider themselves more " city " than " court . " Indeed ...
... audience . Massinger would have expected a not insubstantial proportion of his Blackfriars audience of 1632 to have had close links with , or even to have been , people who would consider themselves more " city " than " court . " Indeed ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women