Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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Here the moral is carried without the intervention of a character like Asper , Crites , Truewit , or Manly to make sure that the audience grasps what the author would have it understand . The Alchemist and Bartholomew Fair are also ...
Here the moral is carried without the intervention of a character like Asper , Crites , Truewit , or Manly to make sure that the audience grasps what the author would have it understand . The Alchemist and Bartholomew Fair are also ...
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Face has “ traded ” not only with all the gulls whom he mentions ; he has also " traded " with his master Lovewit , and now he is trading with the audience . His speech implies that all is only dissembling and trading , and that this ...
Face has “ traded ” not only with all the gulls whom he mentions ; he has also " traded " with his master Lovewit , and now he is trading with the audience . His speech implies that all is only dissembling and trading , and that this ...
18 ページ
But what is especially interesting here is that in connection with the same play we have two very different kinds of framing devices , addressed to different audiences and different social classes . And in each case there is exhibited a ...
But what is especially interesting here is that in connection with the same play we have two very different kinds of framing devices , addressed to different audiences and different social classes . And in each case there is exhibited a ...
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