Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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... course in Virginia Woolf's later Three Guineas . 41. Poulain 22-26 , 37. The Cartesian and Hobbesian aspects of Poulain's work have yet to be studied , as too its relation with the later work of Mary Astell , whose arguments ( in ...
... course in Virginia Woolf's later Three Guineas . 41. Poulain 22-26 , 37. The Cartesian and Hobbesian aspects of Poulain's work have yet to be studied , as too its relation with the later work of Mary Astell , whose arguments ( in ...
220 ページ
... course , especially in the emblem literature : for Geoffrey Whitney , a leaky barrel emblematizes " the blab , " a figure unidentified by gender . But , in the fable portion of the emblem , the barrel itself - with water pouring from ...
... course , especially in the emblem literature : for Geoffrey Whitney , a leaky barrel emblematizes " the blab , " a figure unidentified by gender . But , in the fable portion of the emblem , the barrel itself - with water pouring from ...
503 ページ
... course of justice , none of us Should see salvation : we do pray for mercy , And that same prayer , doth teach us all to render The deeds of mercy . ( IV.i. 194-198 ) Therefore , she reasons , “ must the Jew be merciful . " Shylock ...
... course of justice , none of us Should see salvation : we do pray for mercy , And that same prayer , doth teach us all to render The deeds of mercy . ( IV.i. 194-198 ) Therefore , she reasons , “ must the Jew be merciful . " Shylock ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women