Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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118 ページ
... court . 15 Act 1 divides the two worlds represented in the play into two equal parts : on the one hand , in scenes 1 through 4 , the violent countryside , inhabited by monstrous creatures , neither male nor female , neither beast nor ...
... court . 15 Act 1 divides the two worlds represented in the play into two equal parts : on the one hand , in scenes 1 through 4 , the violent countryside , inhabited by monstrous creatures , neither male nor female , neither beast nor ...
275 ページ
... court of the Bishop of Ely , that there at least " the court was primarily a body for the proof and defence of marriage rather than an instrument of easy annulment . " 30 The commitment of the court to the stability of marriage above ...
... court of the Bishop of Ely , that there at least " the court was primarily a body for the proof and defence of marriage rather than an instrument of easy annulment . " 30 The commitment of the court to the stability of marriage above ...
446 ページ
... court . Bussy D'Ambois opens with its main character in a green world and proceeds to assess the impact of the court on a natural man . The Revenge of Bussy and Marston's An- tonio's Revenge ( 1600 ) conclude with Stoical retreats from ...
... court . Bussy D'Ambois opens with its main character in a green world and proceeds to assess the impact of the court on a natural man . The Revenge of Bussy and Marston's An- tonio's Revenge ( 1600 ) conclude with Stoical retreats from ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women