Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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There is no process by which love might be related to death , or poetry to passion ; all change is thus of necessity revolutionary or destructive . The Shakespearean Ariel sings " Full fathom five thy father lies ” to Ferdinand as he ...
There is no process by which love might be related to death , or poetry to passion ; all change is thus of necessity revolutionary or destructive . The Shakespearean Ariel sings " Full fathom five thy father lies ” to Ferdinand as he ...
160 ページ
As Petrarch describes these triumphs , each allegorical triumphator conquers his predecessor and falls victim to his successor ; beginning with the Triumph of Love , Chastity overthrows Love , Death overthrows Chastity , Fame overthrows ...
As Petrarch describes these triumphs , each allegorical triumphator conquers his predecessor and falls victim to his successor ; beginning with the Triumph of Love , Chastity overthrows Love , Death overthrows Chastity , Fame overthrows ...
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Outraged , and accusing her of treason , Horace stabs her to death . Brought before the king , Tulle , Horace is defended by Sabine and his father , and prosecuted by Valère , who loved Camille . Tulle decrees that Horace should live ...
Outraged , and accusing her of treason , Horace stabs her to death . Brought before the king , Tulle , Horace is defended by Sabine and his father , and prosecuted by Valère , who loved Camille . Tulle decrees that Horace should live ...
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多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |