Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
この書籍内から
検索結果1-3 / 91
44 ページ
... Mandragola the rich medieval and Boccaccian examples of desire instigated by verbal report . 40 But these distinctions should not cloud the significance for Machiavelli's play of the fact that the desire of the seducer is stimulated ...
... Mandragola the rich medieval and Boccaccian examples of desire instigated by verbal report . 40 But these distinctions should not cloud the significance for Machiavelli's play of the fact that the desire of the seducer is stimulated ...
219 ページ
The demonized womb , for example — fully animate , capable of movement , sensitive to smells - was " so greedy and likerish ” for male seed , according to one midwifery manual , “ that it doth euen come down to meet nature , sucking ...
The demonized womb , for example — fully animate , capable of movement , sensitive to smells - was " so greedy and likerish ” for male seed , according to one midwifery manual , “ that it doth euen come down to meet nature , sucking ...
321 ページ
The voz , therefore , by implication revealed a policy or program , and as a matter of fact chroniclers often briefly explain the essential program signified by the voz . For example , Rades , while telling us that the comendador ...
The voz , therefore , by implication revealed a policy or program , and as a matter of fact chroniclers often briefly explain the essential program signified by the voz . For example , Rades , while telling us that the comendador ...
レビュー - レビューを書く
レビューが見つかりませんでした。
多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York