Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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216 ページ
... function to keep them there as prostitutes . That is , be- cause the booth is the central locus of desire in the fair , it serves pre- vailing cultural requirements in transforming the women from sub- jects to objects . The chamberpot ...
... function to keep them there as prostitutes . That is , be- cause the booth is the central locus of desire in the fair , it serves pre- vailing cultural requirements in transforming the women from sub- jects to objects . The chamberpot ...
407 ページ
... function ; that a definite social position corresponded to that function ; that this carried with it a natural and proper mode of behavior for the possession and enjoyment of economic goods , whose limits were not to be transgressed ...
... function ; that a definite social position corresponded to that function ; that this carried with it a natural and proper mode of behavior for the possession and enjoyment of economic goods , whose limits were not to be transgressed ...
408 ページ
... function in the comedia , but it is not so much Castro's ex- tension of the idea of caste beyond its proper historical bounds which is the target of this critique as Maravall's simplistic analysis of the ideo- logical structure of the ...
... function in the comedia , but it is not so much Castro's ex- tension of the idea of caste beyond its proper historical bounds which is the target of this critique as Maravall's simplistic analysis of the ideo- logical structure of the ...
多く使われている語句
action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women