Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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Jonson writes , Then when this body falls in funeral fire , My name shall live , and my best part aspire , a couplet whose balance and closure differ sharply from Marlowe's Then though death rackes my bones in funerall fier Ile live ...
Jonson writes , Then when this body falls in funeral fire , My name shall live , and my best part aspire , a couplet whose balance and closure differ sharply from Marlowe's Then though death rackes my bones in funerall fier Ile live ...
277 ページ
... insists that if divorce is forbidden crimes like Alice Arden's are bound to follow : a husband may be forced to live in permanent suspicion , or worse And how can he choose but live still in feare & anguish of minde , least shee add ...
... insists that if divorce is forbidden crimes like Alice Arden's are bound to follow : a husband may be forced to live in permanent suspicion , or worse And how can he choose but live still in feare & anguish of minde , least shee add ...
312 ページ
... of a combination of what may be termed “ naïve monarchism " and the accusation of tyranny leveled against the comendador and his men.4 This is a combination which is repeated many times : MENGO Long live the kings , our lords !
... of a combination of what may be termed “ naïve monarchism " and the accusation of tyranny leveled against the comendador and his men.4 This is a combination which is repeated many times : MENGO Long live the kings , our lords !
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York