Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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193 ページ
... male attributes and roles ” ( 193 ) . Quite obviously , male protagonists of tragedy were also to be distin- guished from " the mass of their own sex . " Both were figures expressing idealized qualities , rarified beyond the everyday ...
... male attributes and roles ” ( 193 ) . Quite obviously , male protagonists of tragedy were also to be distin- guished from " the mass of their own sex . " Both were figures expressing idealized qualities , rarified beyond the everyday ...
227 ページ
... males , Sir Walter Whorehound and Touchwood Senior , especially , are linked with water symbolism in its male form - as se- men . Thus in the play's dramatic economy , Sir Walter ( pronounced " water " ) opposes his cousin Sir Oliver ...
... males , Sir Walter Whorehound and Touchwood Senior , especially , are linked with water symbolism in its male form - as se- men . Thus in the play's dramatic economy , Sir Walter ( pronounced " water " ) opposes his cousin Sir Oliver ...
228 ページ
... male fertil- ity gods by linking the biological fact of male potency to the far more remarkable social facts of the play — that is , to the ingenious social and discursive arrangements by which male authority in Cheapside masks and ...
... male fertil- ity gods by linking the biological fact of male potency to the far more remarkable social facts of the play — that is , to the ingenious social and discursive arrangements by which male authority in Cheapside masks and ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women