Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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The principle is elaborated in the medical terminology that Machiavelli uses following Livy's diagnoses in the histories : 79 and the means of renewing them is to bring them back to their original principles .
The principle is elaborated in the medical terminology that Machiavelli uses following Livy's diagnoses in the histories : 79 and the means of renewing them is to bring them back to their original principles .
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sFor two attempts to read the comedia as a means for the “ direction ” of the masses , see José Antonio Maravall , Teatro y literatura , and José María Díez Borque . " González de Cellorigo , as cited in Elliott 184–85 .
sFor two attempts to read the comedia as a means for the “ direction ” of the masses , see José Antonio Maravall , Teatro y literatura , and José María Díez Borque . " González de Cellorigo , as cited in Elliott 184–85 .
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19 Shylock is denied his wealth , his original means to power , which excludes him thoroughly from creative activity in the world of significance . 20 In this light the brilliance of the solution to the Shylock problem is evident even ...
19 Shylock is denied his wealth , his original means to power , which excludes him thoroughly from creative activity in the world of significance . 20 In this light the brilliance of the solution to the Shylock problem is evident even ...
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |