Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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In Livy's episode , Lucretia is powerful because she becomes like a man , she triumphs over a timorous female nature , she becomes “ matrona animi virilis . " Through her , the Roman virtue triumphs over nature and natural corruption ...
In Livy's episode , Lucretia is powerful because she becomes like a man , she triumphs over a timorous female nature , she becomes “ matrona animi virilis . " Through her , the Roman virtue triumphs over nature and natural corruption ...
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This is a play about the perversion of nature by culture ( or " custom " -1.2.47 , 2.2.95-97 ) with the eventual triumph of nature : " Nature ( though long kept back ) wil have her owne " ( 4.4.61–62 ; cf.2.2.248–59 , 4.2.187-90 ...
This is a play about the perversion of nature by culture ( or " custom " -1.2.47 , 2.2.95-97 ) with the eventual triumph of nature : " Nature ( though long kept back ) wil have her owne " ( 4.4.61–62 ; cf.2.2.248–59 , 4.2.187-90 ...
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We might say that Love's Cure produces transgression precisely in order to contain it , and in the most insidiously ideological way : desire which initially appeared to contradict nature is reconstituted by nature in accord with her ( ? ) ...
We might say that Love's Cure produces transgression precisely in order to contain it , and in the most insidiously ideological way : desire which initially appeared to contradict nature is reconstituted by nature in accord with her ( ? ) ...
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