Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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132 ページ
... never asserts itself against the subject's will . Not surprisingly , the pastoral ambitions of Shakespeare's Prospero render him profoundly suspicious of anything unteachable or unassimil- able anything which , by demanding to be ...
... never asserts itself against the subject's will . Not surprisingly , the pastoral ambitions of Shakespeare's Prospero render him profoundly suspicious of anything unteachable or unassimil- able anything which , by demanding to be ...
258 ページ
... never idealized for its own sake , never seen as by itself leading to personal happiness , never conceived as a positive value - as love— apart from marriage or procreation . The sexual anxiety that haunts and humiliates the Renaissance ...
... never idealized for its own sake , never seen as by itself leading to personal happiness , never conceived as a positive value - as love— apart from marriage or procreation . The sexual anxiety that haunts and humiliates the Renaissance ...
389 ページ
... never ) there lyes encamped the foure long haples , now hopeful fostered children of Desire ; who having bin a great while nourished up with that infective milke , and to too much care of their fiery fosterer , ( though full oft that ...
... never ) there lyes encamped the foure long haples , now hopeful fostered children of Desire ; who having bin a great while nourished up with that infective milke , and to too much care of their fiery fosterer , ( though full oft that ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women