Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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So , after her call to clemency ( making present stability possible in erasure of the past ) , her reminder of sovereignty's inviolability ( making stability possible by present political conditions ) , it is Livie , once again ...
So , after her call to clemency ( making present stability possible in erasure of the past ) , her reminder of sovereignty's inviolability ( making stability possible by present political conditions ) , it is Livie , once again ...
220 ページ
In both emblems , the iconography is only partially present ; in the second emblem , like the first , the offending woman is visually absent . What seems to link them thematically for Whitney is the question of female insubordination ...
In both emblems , the iconography is only partially present ; in the second emblem , like the first , the offending woman is visually absent . What seems to link them thematically for Whitney is the question of female insubordination ...
302 ページ
We do not here present to you the thresher with his flail , Ne do we here present to you the milkmaid with her pail : We show not you of country toil , as hedger with his bill ; We do not bring the husbandman to lop and top with skill ...
We do not here present to you the thresher with his flail , Ne do we here present to you the milkmaid with her pail : We show not you of country toil , as hedger with his bill ; We do not bring the husbandman to lop and top with skill ...
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York