Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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172 ページ
... reason during these years - most particularly as it appears in the work of Pierre Corneille . I will show how that debate was entirely caught up on the one hand in the general debate over hu- man reason , and on the other with the ...
... reason during these years - most particularly as it appears in the work of Pierre Corneille . I will show how that debate was entirely caught up on the one hand in the general debate over hu- man reason , and on the other with the ...
174 ページ
... reason was Christine de Pisan at the beginning of the previous century . And hers remained a lone voice.7 Only at the end of the fif- teenth century , with Cornelius Agrippa , and then half a century later still , did a new note begin ...
... reason was Christine de Pisan at the beginning of the previous century . And hers remained a lone voice.7 Only at the end of the fif- teenth century , with Cornelius Agrippa , and then half a century later still , did a new note begin ...
196 ページ
... reason , of a reason that was , besides , fundamentally social and collective , rather than individualist . At the same time , it was pro- foundly political . In Corneille , for example , Doña Urraque , Sabine , Livie , and Cornélie are ...
... reason , of a reason that was , besides , fundamentally social and collective , rather than individualist . At the same time , it was pro- foundly political . In Corneille , for example , Doña Urraque , Sabine , Livie , and Cornélie are ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women