Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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86 The play's final procession to the church of the Servi , the sacred space embracing the typical collectivity of Christian Europe , on a day that , given the reference to Lucrezia's puerpere or purification , may well be the Feast of ...
86 The play's final procession to the church of the Servi , the sacred space embracing the typical collectivity of Christian Europe , on a day that , given the reference to Lucrezia's puerpere or purification , may well be the Feast of ...
66 ページ
Alongside the ingenious references to the phallus there are marked references to the female sex : Nicia's exclamation ( “ potta di San Puccio " ) and the profoundly obscene reference by Timoteo to the sgocciolatura , the “ draining ” of ...
Alongside the ingenious references to the phallus there are marked references to the female sex : Nicia's exclamation ( “ potta di San Puccio " ) and the profoundly obscene reference by Timoteo to the sgocciolatura , the “ draining ” of ...
67 ページ
But the additional inclusion by Machiavelli of reference to the ordeal of Tobit's bride , Sarah , who must be detoxified for several days before Tobit can expect to survive a night with her , 105 points the way to the naturalistic ...
But the additional inclusion by Machiavelli of reference to the ordeal of Tobit's bride , Sarah , who must be detoxified for several days before Tobit can expect to survive a night with her , 105 points the way to the naturalistic ...
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |