Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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It appears , first , as an ambiguity in the playwright's relation to the individuals and the society he portrays . As Jonas A. Barish has noted , Jonson seems uncomfortably aware at times of a parallel between the social climbing of the ...
It appears , first , as an ambiguity in the playwright's relation to the individuals and the society he portrays . As Jonas A. Barish has noted , Jonson seems uncomfortably aware at times of a parallel between the social climbing of the ...
18 ページ
capacity for aesthetic and moral judgment with the king's juridical power in relation to his subjects . ... And in each case there is exhibited a deep preoccupation with the author - audience relationship . The address to the king and ...
capacity for aesthetic and moral judgment with the king's juridical power in relation to his subjects . ... And in each case there is exhibited a deep preoccupation with the author - audience relationship . The address to the king and ...
336 ページ
In the Renaissance also the individual was seen as constituted by and in relation to - even the effect of — a preexisting order . To know oneself was to know that order . There is most obviously perhaps the tripartite division of the ...
In the Renaissance also the individual was seen as constituted by and in relation to - even the effect of — a preexisting order . To know oneself was to know that order . There is most obviously perhaps the tripartite division of the ...
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多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |