Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
この書籍内から
検索結果1-3 / 54
293 ページ
Set against the hero's unfettered expression of individual will , the “ insiders ” of Tamburlaine are seen as passive , conformist , hesitant , as if only waiting to be taken over or destroyed by the individual whose force comes from ...
Set against the hero's unfettered expression of individual will , the “ insiders ” of Tamburlaine are seen as passive , conformist , hesitant , as if only waiting to be taken over or destroyed by the individual whose force comes from ...
418 ページ
To the extent that the comedia may be seen as a struggle not simply of ethical or metaphysical forces but of different moments of socioeconomic awareness , it demonstrates marked affinities with the ideology of romance as described by ...
To the extent that the comedia may be seen as a struggle not simply of ethical or metaphysical forces but of different moments of socioeconomic awareness , it demonstrates marked affinities with the ideology of romance as described by ...
421 ページ
The play has been seen as moving from a state of inauthentic or “ false ” consciousness on the part of Peribáñez to a state of self - awareness . In the judgment of one recent critic , this process begins in Peribáñez's “ loss ” of self ...
The play has been seen as moving from a state of inauthentic or “ false ” consciousness on the part of Peribáñez to a state of self - awareness . In the judgment of one recent critic , this process begins in Peribáñez's “ loss ” of self ...
レビュー - レビューを書く
レビューが見つかりませんでした。
多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York
書誌情報
| 書籍名 | Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987 |
| 編集者 | Mary Beth Rose |
| 出版社 | Northwestern University Press, 1990 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月26日 |
| ISBN | 0810106833, 9780810106833 |
| ページ数 | 514 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |