Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
この書籍内から
検索結果1-3 / 88
26 ページ
The household became the fundamental social unit of the " contract community , ” as is evident from the frequent parallels drawn in the sixteenth century between the patriarchal family and the state , and in the seventeenth , between ...
The household became the fundamental social unit of the " contract community , ” as is evident from the frequent parallels drawn in the sixteenth century between the patriarchal family and the state , and in the seventeenth , between ...
407 ページ
12 Still , the consequences of such an arrangement are a social sedimentation in which status and the value accorded to professional functions are rigidly circumscribed . The “ traditional " order of society thus preserved , which ...
12 Still , the consequences of such an arrangement are a social sedimentation in which status and the value accorded to professional functions are rigidly circumscribed . The “ traditional " order of society thus preserved , which ...
472 ページ
1-8 ) , Massinger illustrates the mutual deference at the level of manners which is the exterior manifestation of a society cooperating healthily and harmoniously at a more fundamental substratum . The play is not opposed to social ...
1-8 ) , Massinger illustrates the mutual deference at the level of manners which is the exterior manifestation of a society cooperating healthily and harmoniously at a more fundamental substratum . The play is not opposed to social ...
レビュー - レビューを書く
レビューが見つかりませんでした。
多く使われている語句
action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York