Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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128 ページ
... stage . ' I will argue , however , that the revised Tempest is best understood in terms of sociopolitical issues which were of primary practical importance in the latter half of the seven- teenth century . The new play redefines the ...
... stage . ' I will argue , however , that the revised Tempest is best understood in terms of sociopolitical issues which were of primary practical importance in the latter half of the seven- teenth century . The new play redefines the ...
433 ページ
... stage were relatively straightforward . During the first half of the seventeenth century , absolutist centraliza- tion , combined with deepening social conflict , gradually led to the de- cline of the public theater . Despite some ...
... stage were relatively straightforward . During the first half of the seventeenth century , absolutist centraliza- tion , combined with deepening social conflict , gradually led to the de- cline of the public theater . Despite some ...
435 ページ
... stage in general , but of the public stage in particular . The first two decades in the reign of Philip IV saw an extension and intensification of the centralizing trends of the early seventeenth century . The ma- chine play , meanwhile ...
... stage in general , but of the public stage in particular . The first two decades in the reign of Philip IV saw an extension and intensification of the centralizing trends of the early seventeenth century . The ma- chine play , meanwhile ...
多く使われている語句
action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women