Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987Mary Beth Rose Northwestern University Press, 1990 - 514 ページ The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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159 ページ
... triumph and the art of the morality play . In fact , however , this didactic function of the civic triumph derives more directly from medieval and Renaissance conceptions of the Roman triumph . Petrarch's Trionfi , for example ...
... triumph and the art of the morality play . In fact , however , this didactic function of the civic triumph derives more directly from medieval and Renaissance conceptions of the Roman triumph . Petrarch's Trionfi , for example ...
161 ページ
... triumph for Sir John Swinnerton even more clearly approximates Petrarch's idea . When Sir John encounters Neptune in his triumphal chariot , Neptune yields and becomes a henchman to Sir John's triumph . Next come encounters with Virtue ...
... triumph for Sir John Swinnerton even more clearly approximates Petrarch's idea . When Sir John encounters Neptune in his triumphal chariot , Neptune yields and becomes a henchman to Sir John's triumph . Next come encounters with Virtue ...
164 ページ
... triumph , she now takes her place as a henchman in Arthur's grander celestial one . The Petrarchan logic of the ... triumph dramatists admonished their pro- tagonists to " know themselves " in a less devastating way . Typically , a ...
... triumph , she now takes her place as a henchman in Arthur's grander celestial one . The Petrarchan logic of the ... triumph dramatists admonished their pro- tagonists to " know themselves " in a less devastating way . Typically , a ...
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action Arden argued argument audience authority Bartholomew Fair Bassanio become Ben Jonson Calderón Callimaco Cambridge characters comedy comendador comic context Cordoba court courtiers courtly critical culture death desire Discorsi drama dramatist Elizabethan England English erotic Essays father female Fuenteovejuna gender Hic Mulier honor husband ideal ideological imitation Jacobean Jonson king Lady Ligurio literary Livy Livy's London Lope de Vega Lord Lucretia Luke Lyly Machiavelli's male Mandragola Marlowe Marlowe's marriage masculine Massinger mayor modern moral murder nature Niccolò Machiavelli Nicia Oxford pageant pastoral Philip play play's plot poet poetic political Prospero public theater Puritan queen reason Renaissance represented ritual role Roman royal satiric scene sense seventeenth century sexual Shakespeare Shylock Sidney Sidney's Sir John social society Spain Spanish stage structure suggests Tamburlaine Tempest Therion tion traditional tragedy trans transgression transvestite triumph triumphator violence virtue Volpone woman women