Renaissance Drama as Cultural History: Essays from Renaissance Drama, 1977-1987The valuable annual Renaissance drama provides a broad forum for scholarly inquiry into the drama of the Renaissance. This collection of essays from past volumes focuses on the relation of the drama to cultural change and employs various historicist approaches to the study of Renaissance drama. Annotation copyrighted by Book News, Inc., Portland, OR |
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Finally , the new Lord Mayor and his by - now splendid procession arrive before Justice , who welcomes him and explains his duties.24 Not all triumph plots are narratively structured of course ; some may more properly be described as ...
Finally , the new Lord Mayor and his by - now splendid procession arrive before Justice , who welcomes him and explains his duties.24 Not all triumph plots are narratively structured of course ; some may more properly be described as ...
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particular care to point out the dependence of each new pageant upon its successor during Queen Elizabeth's coronation triumph : The mater of this pageāt depēdeth of them yt went before . For as the first declared her grace to cõe out ...
particular care to point out the dependence of each new pageant upon its successor during Queen Elizabeth's coronation triumph : The mater of this pageāt depēdeth of them yt went before . For as the first declared her grace to cõe out ...
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No longer a triumphator riding in her own earthly triumph , she now takes her place as a henchman in Arthur's grander celestial one . The Petrarchan logic of the pageant diminishes her while exalting Arthur ; just as the Chariot of Fame ...
No longer a triumphator riding in her own earthly triumph , she now takes her place as a henchman in Arthur's grander celestial one . The Petrarchan logic of the pageant diminishes her while exalting Arthur ; just as the Chariot of Fame ...
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action appears argument audience authority become beginning body century characters comedy complex concern continued Corneille course court critical culture death desire drama early effect Elizabethan England English example fact Fair father female figure final force Fuenteovejuna function gives honor human ideal important individual interest Italy John Jonson kind king Lady less literary live London Lord Lucretia Machiavelli's male Mandragola Marlowe marriage means moral nature never performance play poet political position possible present provides queen question reading reason reference relation relationship remains Renaissance represented role scene seems seen sense sexual Shakespeare Sidney social society stage structure Studies suggests theater tion traditional tragedy triumph turn violence virtue woman women writing York