The Forms of Things Unknown: Essays Towards an Aesthetic PhilosophyHorizon Press, 1960 - 248 ページ Essays on esthetic values in literature and the fine arts, emphasizing the effects of the technological age on the creative imagination. |
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9 ページ
... Henry Moore : Reclining woman , 1930. Green facing page 64 Hornton stone between pages 64-65 3 Henry Moore : Reclining figure , 1937. Elm wood 4 Henry Moore : Four piece composition : reclining figure , 1934. Cumberland alabaster facing ...
... Henry Moore : Reclining woman , 1930. Green facing page 64 Hornton stone between pages 64-65 3 Henry Moore : Reclining figure , 1937. Elm wood 4 Henry Moore : Four piece composition : reclining figure , 1934. Cumberland alabaster facing ...
71 ページ
... Henry Moore . By comparison with Picasso his work presents a certain unity and consistency of development , together with a drastic limitation of theme . Apart from a few abstract works , in themselves nearly always suggested by natural ...
... Henry Moore . By comparison with Picasso his work presents a certain unity and consistency of development , together with a drastic limitation of theme . Apart from a few abstract works , in themselves nearly always suggested by natural ...
244 ページ
... Henry Moore and , 73-4 Langer , S. K. , 28 , 34 , 35 , 42 , 55 , 79 , 157 ; on first task of artist , 93 ; on pre ... Moore , see Reide Moore , Henry , work of , 71 seqq . , 196 ; Reclining Figure , three stages of , 1930 to 1937 ...
... Henry Moore and , 73-4 Langer , S. K. , 28 , 34 , 35 , 42 , 55 , 79 , 157 ; on first task of artist , 93 ; on pre ... Moore , see Reide Moore , Henry , work of , 71 seqq . , 196 ; Reclining Figure , three stages of , 1930 to 1937 ...
目次
THE LIMITATIONS OF A SCIENTIFIC PHILOSOPHY page | 15 |
ART AS A SYMBOLIC LANGUAGE | 33 |
THE CREATIVE PROCESS | 49 |
著作権 | |
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多く使われている語句
abstract abstract art activity aesthetic Analytical Psychology André Masson archetypal artist beauty become Buber called cognition collective unconscious colour conceived conception concrete Conrad Fiedler consciousness created creation culture death discourse distinction divine emotional essential existence experience expression fact feeling force Freud function Giambattista Vico Greek Guernica Henry Moore human idea Iliad images instinct intellectual intuition Jung Jung's Klee knowledge language logical London Maritain meaning mental merely metaphysical modern modes Mondrian movement myth nature object organic original PABLO PICASSO painting pattern peace perception philosophy phrase physical Picasso plastic arts Plato poem poet poetic poetry possible problem psyche psychic psychology rational reality realize Reichenbach scientific philosopher scientist sensation sense sensuous significance Simone Weil social spirit super-ego Susanne Langer symbols theory things thought tion Tolstoy tragedy trans truth uncon unconscious unity universal visual W. B. Yeats whole word Yeats