Mediation and the Communication MatrixP. Lang, 2003 - 179 ページ The media alters one's experience of the world and, in turn, alters one's relationship to others. This is true of both the book and the screen, but with profoundly different consequences. The omnipresent screen of the early twenty-first century serves as a portal that reconfigures private and public experience in ways that are fundamentally different from print culture. Not only does the screen reveal the complexities of people and places beyond our reach, it alters our phenomenological awareness of space, sound, and motion. The individual experiences the altered duration of the screen, and the larger community displays the consequences of that altered duration. This book discusses how the screen in its myriad forms has contributed to an emerging view of the self in American culture that is unique to our time. |
目次
EARLIER REVOLUTIONS | 39 |
ALTERING THE CONSTRAINTS | 61 |
THE SOCIAL CONSEQUENCES | 95 |
著作権 | |
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多く使われている語句
altered duration alters one's American argues auditory autonomy capture century challenges changes Chapter communication matrix communication technologies concept of individualism consequences contributed created dichotomy distinction dium elements emergence ence environment explain figure and ground figure-ground film foregrounds forms of communication gestalt grasp Havelock horizon human sensorium images images and words impact influence inner and outer inner experience Inuit isolation kinesthetic language lived media extend media literacy medium Merleau-Ponty motion one's experience one's perception one's relationship oral culture orality to print outer experience perience person perspective phenomenological Plato possible postmodernism print culture private and public privileged provides reveals revolution screen alters secondary orality sense sensory shared shift social domain social world sound space conception spatial speech structure television thinking tion traditions transition from orality understand variable-flex space vidualism virtual reality visual Walter Ong words writing