To heaven with that ungodly gloom! A heaven that God doth not contemn We liken our ladies' eyes to them - Yet tho' no holy rays come down Up thrones up long-forgotten bowers Of sculptur'd ivy and stone flowers Up domes up spires - up kingly halls Up fanes up Babylon-like walls Up many a melancholy shrine Whose entablatures intertwine The mask the viol- and the vine. There open temples open graves But not the riches there that lie Along that wilderness of glass No swellings hint that winds may be Upon a far-off happier sea : So blend the turrets and shadows there That all seem pendulous in air, While from the high towers of the town Death looks gigantically down. But lo! a stir is in the air! Shall do it reverence, And Death to some more happy clime Variations of Southern Literary Messenger (Title, The City of Sea) from above. Line 4 And (Where) 6 shrines (shrines,) 6 palaces (palaces,) 7 anything (any thing) 8 O! (Oh,) 8 O! (0) 20 Yet down (No holy rays from heaven come down) 22 Light sea (But light from out the lurid sea) 35 gayly (gaily) 46 wave! (—) 50 heaven: () 54 down (down,) 55 Hell rising (All Hades) 55 thrones (thrones,). Variations of The American Whig Review from the text. Line 3 Far . . West, (Far off in a region unblest) 12 heaven (cap.) 22 wreathed (wreathëd) 25 The melancholy (Around the mournful) 27 air, (.) 28-35 omit 36 For no (No murmuring) 39 some (a) 41 Seas less hideously (Oceans not so sad—) 47 Heaven. (.—) 49 bours (cap.). EDITOR'S NOTE. Death has a throne in a strange city by the edge of the It is ever night time and the only light is from waters. VOL. VII. — 12 the lurid sea. The city hangs in pendulous reflection, with Death on a high tower. The sea is hideously serene, but a stir comes and the city will slip in the sea. The music of this poem is charming. The theme of the city sunk in the sea is not unknown to the German ballad-writers; cf. the kindred themes of the chapel lost in the woods (Uhland), “Die Versunkene Glocke" of Hauptmann, etc., and Al Aaraaf, II. THE SLEEPER. Page 51. PHILADELPHIA SATURDAY MUSEUM, MARCH 4, 1843; 1845; BROADWAY JOURNAL, I. 18; 1831 (TItle IRENE); SOUTHERN LITERARY MESSENGER, May, 1836 (IRENE). Text, 1845, with Lorimer Graham corrections. The earliest version (1831) is as follows: IRENE. 'Tis now (so sings the soaring moon) Or worse - upon her brow to dance In panoply of old romance, Till thoughts and locks are left, alas! An influence dewy, drowsy, dim, Looking like Lethe, see! the lake Thus hums the moon within her ear, "O lady sweet! how camest thou here? "Strange are thine eyelids - strange thy dress! "And strange thy glorious length of tress! "Sure thou art come o'er far-off seas, "A wonder to our desert trees! "Some gentle wind hath thought it right "For the holy Jesus' sake! "For strangely fearfully in this hall "My tinted shadows rise and fall !" The lady sleeps: the dead all sleep And the light laughter chokes the sigh, with friends it went To bathe in the pure element, Those flowers that say (ah hear them now!) "Ai! ai! alas ! י ! alas Pores for a moment, ere it go, On the clear waters there that flow, Then sinks within (weigh'd down by wo) The lady sleeps: oh! may her sleep No icy worms about her creep : I pray to God that she may lie Forever with as calm an eye, That chamber chang'd for one more holy — That bed for one more melancholy. Far in the forest, dim and old, For her may some tall vault unfold, Against whose sounding door she hath thrown, In childhood, many an idle stone Some tomb, which oft hath flung its black Flutt'ring triumphant o'er the palls Of her old family funerals. Variations of Southern Literary Messenger from 1831. Line 1-2 I stand beneath the soaring moon At midnight in the month of June. 3-8 (omit S. L. M.) 10 that (yon) 10 rim; (.) 12 breast! (.) 13 awake : (.) 16 grave. (,) 17 wave() 18 bright pines (cedars) 18 fro, (o. c.) 19 go, (o. c.) 20 reels with bliss, (nodding hangs) 21 Nodding abyss (Above yon cataract of Serangs) 22 |