Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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203 ページ
... character with itself , or blended their different qualities together in the same story . What a contrast the character of Othello forms to that of Iago at the same time , the force of conception with which these two figures are opposed ...
... character with itself , or blended their different qualities together in the same story . What a contrast the character of Othello forms to that of Iago at the same time , the force of conception with which these two figures are opposed ...
253 ページ
... character , and he here shows us the Queen , who was so criminal in some respects , not without sensibility and affection in other relations of life . - Ophelia is a character almost too exquisitely touching to be dwelt upon . Oh rose ...
... character , and he here shows us the Queen , who was so criminal in some respects , not without sensibility and affection in other relations of life . - Ophelia is a character almost too exquisitely touching to be dwelt upon . Oh rose ...
339 ページ
... character of Richard as odious and disgusting as possible . It is apparently for no other purpose than to make Gloucester stab King Henry on the stage , that the fine abrupt introduction of the character in the opening of the play is ...
... character of Richard as odious and disgusting as possible . It is apparently for no other purpose than to make Gloucester stab King Henry on the stage , that the fine abrupt introduction of the character in the opening of the play is ...
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actor admirable affection answer Antony Apemantus Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline daughter dear death Desdemona dost doth eyes Falstaff favour fear feeling fond fool genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony married Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus told tragedy true truth turn wife wish words Yorkshire Tragedy youth