Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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... stage is an epitome , a bettered likeness of the world , with the dull part left out : and , indeed , with this omission , it is nearly big enough to hold all the rest . What brings the resemblance nearer is , that , as they imitate us ...
... stage is an epitome , a bettered likeness of the world , with the dull part left out : and , indeed , with this omission , it is nearly big enough to hold all the rest . What brings the resemblance nearer is , that , as they imitate us ...
149 ページ
... stage is useful as a school of instruction , it is no less so as a source of amusement . It is the source of the greatest enjoyment at the time , and a never - failing fund of agreeable reflection afterwards . The merits of a new play ...
... stage is useful as a school of instruction , it is no less so as a source of amusement . It is the source of the greatest enjoyment at the time , and a never - failing fund of agreeable reflection afterwards . The merits of a new play ...
152 ページ
... stage . It leaves an opening to originality . The stage is always beginning anew ; the candidates for theatrical reputation are always setting out afresh unencumbered by the affectation of the faults or excellences of their predecessors ...
... stage . It leaves an opening to originality . The stage is always beginning anew ; the candidates for theatrical reputation are always setting out afresh unencumbered by the affectation of the faults or excellences of their predecessors ...
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actor admirable affection answer Antony Apemantus Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline daughter dear death Desdemona dost doth eyes Falstaff favour fear feeling fond fool genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony married Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus told tragedy true truth turn wife wish words Yorkshire Tragedy youth