The Tragic Engagement: A Study of Shakespeare's Classical TragediesFunk & Wagnalls, 1968 - 336 ページ |
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... bond is the bond of spirit , without props , cushions , secret treasures , or legal force . She also knows him immature , self - indulgent , fretful , a dedicated soldier , a man of titanic reputation . Quite simply , at any moment ...
... bond is the bond of spirit , without props , cushions , secret treasures , or legal force . She also knows him immature , self - indulgent , fretful , a dedicated soldier , a man of titanic reputation . Quite simply , at any moment ...
251 ページ
... bonds , or a settled social hierarchy , as opposed to this social manipulation and mari- tal arrangements . Antony's marriage to Octavia seems re- spectable enough ; but no bond is ever expressed , only property and dynastic security ...
... bonds , or a settled social hierarchy , as opposed to this social manipulation and mari- tal arrangements . Antony's marriage to Octavia seems re- spectable enough ; but no bond is ever expressed , only property and dynastic security ...
252 ページ
... bond , without a wife or children depicted . He has a quiet dignity in his easy rapport with his sister ; yet his welcome on her coming back from Antony is confined to a distress at her unseemly return ( III.vi.42–55 ) . When he finally ...
... bond , without a wife or children depicted . He has a quiet dignity in his easy rapport with his sister ; yet his welcome on her coming back from Antony is confined to a distress at her unseemly return ( III.vi.42–55 ) . When he finally ...
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Aaron Achilles action Alcibiades Antony and Cleopatra Antony's army audience Aufidius battle black comedy blood body bond Brutus calls Calphurnia Cassius characters classical tragedies comedy Cominius conspirators Coriolanus dead death dramatic Egypt elements emperor enemy Enobarbus ethical hero evil father fear fight filicide finally force gesture Goths grasp Greek Hamlet hath heart heaven Hector Henry Henry VI honour human Ibid judgment Julius Caesar justice kill King Lear Lepidus lives Lucius Macbeth moral mother murder mythic natural law never Octavius peace play plot Plutarch political Prince Richard Richard III ritual role Roman Rome ruler Saturninus scene secular senators sense Shakespeare shape shift simply social soldier soul speech spirit stage stands structure stylized suggests sword Tamora tears thee thou Timon of Athens tion Titus Andronicus tragic choice tragic hero Troilus and Cressida Troy truth typology Ulysses virtue Volscian Volumnia warrior