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Last she stood up to her queenly height,
But she shook like an autumn leaf,
As though the fire wherein she burned
Then left her body, and all were turned
To winter of life-long grief.

And "O James!" she said,—" My James!" she said,—
"Alas for the woful thing,

That a poet true and a friend of man,
In desperate days of bale and ban,

Should needs be born a King!"

LOVESIGHT

When do I see thee most, beloved one?
When in the light the spirits of mine eyes
Before thy face, their altar, solemnize

The worship of that Love through thee made known?
Or when in the dusk hours, (we two alone,)
Close-kissed and eloquent of still replies
Thy twilight-hidden glimmering visage lies,
And my soul only sees thy soul its own?
O love, my love! if I no more should see
Thyself, nor on the earth the shadow of thee,
Nor image of thine eyes in any spring,—

How then should sound upon Life's darkening slope
The ground-whirl of the perished leaves of Hope,
The wind of Death's imperishable wing?

HEART'S HOPE

By what word's power, the key of paths untrod,
Shall I the difficult deeps of Love explore,

Till parted waves of Song yield up the shore
Even as that sea which Israel crossed dryshod?
For lo! in some poor rhythmic period,
Lady, I fain would tell how evermore
Thy soul I know not from thy body, nor
Thee from myself, neither our love from God.

Yea, in God's name, and Love's, and thine, would I

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Draw from one loving heart such evidence
As to all hearts all things shall signify;
Tender as dawn's first hill-fire, and intense
As instantaneous penetrating sense,

In Spring's birth-hour, of other Springs gone by.

GENIUS IN BEAUTY

Beauty like hers is genius. Not the call
Of Homer's pr of Dante's heart sublime,—

Not Michael's hand furrowing the zones of time,—
Is more with compassed mysteries musical;
Nay, not in Spring's or Summer's sweet footfall
More gathered gifts exuberant Life bequeathes

Than doth this sovereign face, whose love-spell breathes

Even from its shadowed contour on the wall.

As many men are poets in their youth,
But for one sweet-strung soul the wires prolong
Even through all change the indomitable song;
So in like wise the envenomed years, whose tooth
Rends shallower grace with ruin void of ruth,
Upon this beauty's power shall wreak no wrong.

SILENT NOON

Your hands lie open in the long, fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn hedge.
'Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky,—
So this winged hour is propped to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

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LOVE-SWEETNESS

Sweet dimness of her loosened hair's downfall
About thy face; her sweet hands round thy head
In gracious fostering union garlanded;
Her tremulous smiles; her glances' sweet recall
Of love; her murmuring sighs memorial;
Her mouth's culled sweetness by thy kisses shed
On cheeks and neck and eyelids, and so led
Back to her mouth, which answers there for all:—
What sweeter than these things, except the thing
In lacking which all these would lose their sweet:—
The confident heart's still fervor: the swift beat
And soft subsidence of the spirit's wing,
Then when it feels, in cloud-girt wayfaring,
The breath of kindred plumes against its feet?

HEART'S COMPASS

Sometimes thou seem'st not as thyself alone,
But as the meaning of all things that are;
A breathless wonder, shadowing forth afar
Some heavenly solstice hushed and halcyon;
Whose unstirred lips are music's visible tone;
Whose eyes the sun-gate of the soul unbar,
Being of its furthest fires oracular—
The evident heart of all life sown and mown.
Even such love is; and is not thy name Love?
Yea, by thy hand the Love-god rends apart
All gathering clouds of Night's ambiguous art;
Flings them far down, and sets thine eyes above;
And simply, as some gage of flower or glove,
Stakes with a smile the world against thy heart.

HER GIFTS

High grace, the dower of queens; and therewithal
Some wood-born wonder's sweet simplicity;
A glance like water brimming with the sky
Or hyacinth-light where forest-shadows fall;

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Such thrilling pallor of cheek as doth enthral
The heart; a mouth whose passionate forms imply
All music and all silence held thereby;

Deep golden locks, her sovereign coronal;

A round reared neck, meet column of Love's shrine
To cling to when the heart takes sanctuary;
Hands which for ever at Love's bidding be,
And soft-stirred feet still answering to his sign:—
These are her gifts, as tongue may tell them o'er.
Breathe low her name, my soul; for that means more.

CHRISTINA GEORGINA ROSSETTI

[1830-1894]

SONG

When I am dead, my dearest,

Sing no sad songs for me;
Plant thou no roses at my head,

Nor shady cypress tree:

Be the green grass above me

With showers and dewdrops wet;

And if thou wilt, remember,

And if thou wilt, forget.

I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain;

And dreaming through the twilight

That doth not rise nor set,

Haply I may remember,

And haply may forget.

REMEMBER

Remember me when I am gone away,
Gone far away into the silent land;

When you can no more hold me by the hand,

Nor I half turn to go, yet turning stay.

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Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

UP-HILL

Does the road wind up-hill all the way?
Yes, to the very end.

Will the day's journey take the whole long day?
From morn to night, my friend.

But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.

Shall I meet other wayfarers at night?
Those who have gone before.

Then must I knock, or call when just in sight?
They will not keep you standing at that door.

Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.

Will there be beds for me and all who seek?
Yea, beds for all who come.

IN THE ROUND TOWER AT JHANSI

June 8, 1857 (Indian Mutiny)

A hundred, a thousand to one; even so;
Not a hope in the world remained:
The swarming howling wretches below
Gained and gained and gained.

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