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The air is full of farewells to the dying,
And mournings for the dead;

The heart of Rachel, for her children crying,
Will not be comforted!

Let us be patient! These severe afflictions
Not from the ground arise,

But oftentimes celestial benedictions
Assume this dark disguise.

We see but dimly through the mists and vapors; Amid these earthly damps

What seem to us but sad, funeral tapers

May be heaven's distant lamps.

There is no Death! What seems so is transition;

This life of mortal breath

Is but a suburb of the life elysian,

Whose portal we call Death.

She is not dead, the child of onr affection,—
But gone unto that school

Where she no longer needs our poor protection,
And Christ himself doth rule.

In that great cloister's stillness and seclusion,
By guardian angels led,

Safe from temptation, safe from sin's pollution,
She lives whom we call dead.

Day after day we think what she is doing

In those bright realms of air;

Year after year, her tender steps pursuing,

Behold her grown more fair.

Thus do we walk with her, and keep unbroken, The bond which nature gives,

Thinking that our remembrance, though unspoken, May reach her where she lives.

784

Not as a child shall we again behold her;
For when with raptures wild

In our embraces we again enfold her,
She will not be a child;

But a fair maiden, in her Father's mansion,
Clothed with celestial grace;

And beautiful with all the soul's expansion
Shall we behold her face.

And though at times impetuous with emotion
And anguish long suppressed,

The swelling heart heaves moaning like the ocean,
That cannot be at rest,—

We will be patient, and assuage the feeling

We may not wholly stay;

By silence sanctifying, not concealing,

The grief that must have way..

CHILDREN

Come to me, ye children!

For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.

Ye

open

the eastern windows,

That look towards the sun,

Where thoughts are singing swallows
And the brooks of morning run.

In your hearts are the birds and the sunshine,
In your thoughts the brooklet's flow,
But in mine is the wind of Autumn

And the first fall of the snow.

Ah! what would the world be to us
If the children were no more?
We should dread the desert behind us
Worse than the dark before.

What the leaves are to the forest,
With light and air for food,
Ere their sweet and tender juices
Have been hardened into wood,—

That to the world are children;
Through them it feels the glow
Of a brighter and sunnier climate
Than reaches the trunks below.

Come to me, O ye children!
And whisper in my ear

What the birds and the winds are singing
In your sunny atmosphere.

For what are all our contrivings,
And the wisdom of our books,
When compared with your caresses,
And the gladness of your looks?

Ye are better than all the ballads
That ever were sung or said;
For ye arc living poems,

And all the rest are dead.

785

THE BUILDING OF THE SHIP.

'Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,

That shall laugh at all disaster,

And with wave and whirlwind wrestle!'

The merchant's word

Delighted the Master heard;

For his heart was in his work, and the heart
Giveth grace unto every Art.

A quiet smile played round his lips,
As the eddies and dimples of the tide

Play round the bows of ships

That steadily at anchor ride.

And with a voice that was full of glee,
He answered, 'Erelong we will launch.
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!'
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o'er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,

And eight round towers, like those that frown
From some old castle, looking down

Upon the drawbridge and the moat.

And he said with a smile, 'Our ship, I wis,

Shall be of another form than this!'

It was of another form, indeed;

Built for freight, and yet for speed,

A beautiful and gallant craft;

Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!

Covering many a rood of ground,
Lay the timber piled around;

Timber of chestnut, and elm, and oak,
And scattered here and there, with these.
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula's sunny bay,

And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil

One thought, one word, can set in motion!
There's not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o'er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,

Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning;
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man's speech.

Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main

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