The Literary Criterion, 第 5 巻Rao & Raghavan., 1961 |
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... line 463 to 482 and then from 661 to 894. In other words , it covers only 254 lines in all , The Pardoner begins with the riotous life of taverns in Flanders ( 463-482 ) . A vivid picture of the vicious life of young men who haunteden ...
... line 463 to 482 and then from 661 to 894. In other words , it covers only 254 lines in all , The Pardoner begins with the riotous life of taverns in Flanders ( 463-482 ) . A vivid picture of the vicious life of young men who haunteden ...
113 ページ
... lines and phrases which lead us on to a different level of meaning . The first line : ' Something there is that doesn't love a wall ' is repeated towards the end of the poem . Who or what does not love a wall ? We read further ' Before ...
... lines and phrases which lead us on to a different level of meaning . The first line : ' Something there is that doesn't love a wall ' is repeated towards the end of the poem . Who or what does not love a wall ? We read further ' Before ...
10 ページ
... lines of ' Burnt Norton ' dealing with the metaphysical theme of time can be compared with the speech of Ulysses in Shakespeare's Troilus and Cressida to show that Shakespeare treats the abstract concretely whereas Eliot remains ...
... lines of ' Burnt Norton ' dealing with the metaphysical theme of time can be compared with the speech of Ulysses in Shakespeare's Troilus and Cressida to show that Shakespeare treats the abstract concretely whereas Eliot remains ...
目次
Skill in History | 1 |
After ReReading Walden | 23 |
Emerson and the Principles of Literature | 39 |
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