His soul is so enfettered to her love, That she may make, unmake, do what she list, With his weak function. How am I then a villain, 2 That she repeals 3 him for her body's lust; So will I turn her virtue into pitch; And out of her own goodness make the net Enter RODERIGO. Rod. I do follow here in the chase, not like a hound that hunts, but one that fills up the cry. My money is almost spent; I have been to-night exceedingly well cudgelled; and, I think, the issue will be-I shall have so much experience for my pains; and so, with no money at all, and a little more wit, return to Venice. Iago. How poor are they that have not patience! What wound did ever heal but by degrees? Thou know'st we work by wit, and not by witchcraft ; Does't not go well? Cassio hath beaten thee, 1 Parallel course for course level or even with his design. 2 Pestilence for poison. 3 i. e. recalls him, from the Fr. rappeler. 4 The blossoming to which Iago alludes, is the removal of Cassio. There was good ground for expecting that the fruits of it would soon be ripe. Content thyself awhile.-By the mass,' 'tis morning; Pleasure, and action, make the hours seem short.Retire thee; go where thou art billeted. Away, I say; thou shalt know more hereafter ; My wife must move for Cassio to her mistress; 2 Myself, the while, to draw the Moor apart, [Exit. ACT III. SCENE I. Before the Castle. Enter CASSIO and some Musicians. Cas. Masters, play here, I will content your pains, Something that's brief; and bid-good morrow, gen eral.4 Enter Clown. [Music. Clo. Why, masters, have your instruments been at Naples, that they speak i' the nose thus? 1 Mus. How, sir, how! Clo. Are these, I pray you, called wind instruments? 1 Mus. Ay, marry, are they, sir. Clo. O, thereby hangs a tail. 1 The folio reads, In troth; an alteration made in the playhouse copy by the interference of the master of the revels. 2 Some modern editions read, "Myself the while will draw." 3 i. e. just at the time. 4 It was usual for friends to serenade a new-married couple on the morning after the celebration of the marriage, or to greet them with a morning-song to bid them good-morrow. 1 Mus. Whereby hangs a tale, sir? Clo. Marry, sir, by many a wind-instrument that I know. But, masters, here's money for you; and the general so likes your music, that he desires you of all loves,' to make no more noise with it. 1 Mus. Well, sir, we will not. Clo. If you have any music that may not be heard, to't again; but, as they say, to hear music, the general does not greatly care. 1 Mus. We have none such, sir. Clo. Then put up your pipes in your bag, for I'll away. Go; vanish into air; away. 2 [Exeunt Musicians. Cas. Dost thou hear, my honest friend? Clo. No, I hear not your honest friend; I hear you. Cas. Pr'ythee, keep up thy quillet. There's a poor piece of gold for thee; if the gentlewoman that attends the general's wife be stirring, tell her there's one Cassio entreats her a little favor of speech. Wilt thou do this? Clo. She is stirring, sir; if she will stir hither, I shall seem to notify unto her. [Exit. Enter IAGO. Cas. Do, good my friend.—In happy time, Iago. Before we parted. I have made bold, Iago, Procure me some access. Iago. I'll send her to you presently; And I'll devise a mean to draw the Moor [Exit. Cas. I humbly thank you for't. I never knew A Florentine more kind and honest.3 1 i. e. for love's sake. We have this adjuration again in The Merry Wives of Windsor. 2 See Hamlet, Act v. Sc. i. p. 371. 3 Cassio was, undoubtedly, a Florentine, as appears by the first scene of the play, where he is expressly called one. Iago was a Venetian. Enter EMILIA. Emil. Good morrow, good lieutenant; I am sorry For your displeasure; but all will soon be well. The general, and his wife, are talking of it; And she speaks for you stoutly. The Moor replies, That he you hurt, is of great fame in Cyprus, And great affinity; and that, in wholesome wisdom, He might not but refuse you. But, he protests, he loves you; And needs no other suitor, but his likings, Cas. Yet, I beseech you, If you think fit, or that it may be done,- Emil. 'Pray you, come in; I will bestow you where you shall have time To speak your bosom freely. Cas. I am much bound to you.3 [Exeunt. SCENE II. A Room in the Castle. Enter OTHELLO, IAGO, and Gentlemen. Oth. These letters give, Iago, to the pilot; lago. [Exeunt. Cassio means to say, I never experienced more honesty and kindness even in one of my own countrymen. 1 i. e. the displeasure you have incurred from Othello. 2 This line is wanting in the folio. 3 This speech is omitted in the first quarto. 4 Thus the quarto 1622; folio, “to the senate." SCENE III. Before the Castle. Enter DESDEMONA, CASSIO, and EMILIA. Des. Be thou assured, good Cassio, I will do All my abilities in thy behalf. Emil. Good madam, do; I know it grieves my husband, As if the case1 were his. Des. O, that's an honest fellow.-Do not doubt, Cassio, But I will have my lord and you again As friendly as you were. Cas. Whatever shall become of Michael Cassio, Bounteous madam, You do love my lord; He's never any thing but your true servant. You have known him long; and be you well assured Than in a politic distance. Cas. Ay, but, lady, That, I being absent, and my place supplied, Des. Do not doubt that; before Emilia here, To the last article: my lord shall never rest; I'll intermingle every thing he does With Cassio's suit. Therefore be merry, Cassio; Than give thy cause away. 1 Folio reads, "As if the cause were his." 2 Thus the quarto of 1622. The folio reads, "I know't, I thank you." 3 Hawks and other birds are tamed by keeping them from sleep. |