Framing Shakespeare on FilmOhio University Press, 2000 - 255 ページ The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity. Kathy Howlett demonstrates convincingly how viewers' expectations for understanding Shakespeare on film can be manipulated by the director's cinematic technique. Emphasizing that the successful film can transform Shakespeare's text while remaining rooted in Shakespearean conceptions, Howlett raises the question of how directors and audiences understand the genre of Shakespeare on film and reveals how the medium alters the patterns through which the audience views Shakespeare. |
この書籍内から
201 ページ
Kathy M. Howlett. Notes Introduction I. Graham Holderness , Shakespeare Recycled : The Making of Historical Drama ( New York : Barnes and Noble , 1992 ) , pp . 178-210 . 2. Virginia Mason Vaughan , Othello : A Contextual History ...
Kathy M. Howlett. Notes Introduction I. Graham Holderness , Shakespeare Recycled : The Making of Historical Drama ( New York : Barnes and Noble , 1992 ) , pp . 178-210 . 2. Virginia Mason Vaughan , Othello : A Contextual History ...
202 ページ
... Shakespeare Recycled ; Peter Donaldson , Shakespearean Films / Shakespearean Directors ( Boston : Unwin Hyman , 1990 ) ; John Collick , Shakespeare , Cinema and Society ( Manchester : Manchester University Press , 1989 ) . 12. Anthony ...
... Shakespeare Recycled ; Peter Donaldson , Shakespearean Films / Shakespearean Directors ( Boston : Unwin Hyman , 1990 ) ; John Collick , Shakespeare , Cinema and Society ( Manchester : Manchester University Press , 1989 ) . 12. Anthony ...
235 ページ
... Shakespeare Recycled : The Making of Historical Drama . New York : Barnes and Noble , 1992 . " Shakespeare Rewound . " Shakespeare Survey 45 ( 1992 ) : 63-74 . Humfrey , Peter . Painting in Renaissance Venice . New Bibliography 235.
... Shakespeare Recycled : The Making of Historical Drama . New York : Barnes and Noble , 1992 . " Shakespeare Rewound . " Shakespeare Survey 45 ( 1992 ) : 63-74 . Humfrey , Peter . Painting in Renaissance Venice . New Bibliography 235.
目次
Introduction | 1 |
oney as Joe Harper as Hamlet in A Midwinters Tale | 17 |
Chapter | 20 |
著作権 | |
他の 8 セクションは表示されていません
多く使われている語句
action actors ambiguity appears audience becomes begins body boundaries Branagh calls camera Carpaccio's character Chimes at Midnight cinematic context conventions Courtesy creates critics cultural death desire discovers drama effect elements existence experience expression fact Falstaff female figure film's frame funeral gaze genre Hamlet Henry Henry's identity imagined king Lady landscape looking male masculine meaning memory Midwinter's Tale movement moves murder narrative objects observes Olivier's opening original Orson Othello painting past performance perspective physical play's pleasure political popular present Prince Private Idaho production reality relationship remains representation reveals rhetorical Richard ritual role samurai Sant's scene screen seems sense sexual Shakespeare's play shot social space spatial spectator stage story suggests tavern theater theatrical tion transformation truth University Press utopian Van Sant's viewer violence vision visual Welles's film Western York Zeffirelli's