John KeatsHarold Bloom Chelsea House, 2007 - 272 ページ Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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... fetish : an object of worship whose supernatural power over them ( which they in fact have assigned to her ) inspires dread and fascination.15 As such , she knows that poetic figures become fetishistic if they are presented as powers ...
... fetish : an object of worship whose supernatural power over them ( which they in fact have assigned to her ) inspires dread and fascination.15 As such , she knows that poetic figures become fetishistic if they are presented as powers ...
76 ページ
... fetish , yet all are detached , and as such patently objects of poetic attention . The material separateness that is part of the aura of the primitive fetish — whether it is a stone , a carved stick , or something else — is oddly yet ...
... fetish , yet all are detached , and as such patently objects of poetic attention . The material separateness that is part of the aura of the primitive fetish — whether it is a stone , a carved stick , or something else — is oddly yet ...
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... fetish , whose material fixity is one sign of its special status , her identity isolates her . By presenting the belle dame in this way , Keats examines how and why some poetic figures are patently alien objects of a speaker's attention ...
... fetish , whose material fixity is one sign of its special status , her identity isolates her . By presenting the belle dame in this way , Keats examines how and why some poetic figures are patently alien objects of a speaker's attention ...
目次
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
著作権 | |
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aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing