The Gay ScienceCambridge University Press, 1866 - 358 ページ Eneas Sweetland (E.S.) Dallas (1828-1879) was a journalist who worked for The Times among other publications and whose interest in psychology and love of poetry led to his writing the two-volume - though he originally intended four - The Gay Science, published in 1866. The work takes its title from an expression used by Provençal troubadours to describe the art of composing poetry, and the volumes are concerned with the unclear and often shifting boundaries between art and science and whether they can be reconciled. Volume 1 examines the wider issue of the practice of artistic criticism itself, and 'to show how alone it can be raised to the dignity of a science'. Dallas reaches back to classical times, examining Plato and Aristotle in this context before considering differing schools of criticism within Europe. The final chapters examine the role of imagination and the 'secrecy' of art. |
目次
CHAPTER I | 3 |
Hegel and Schelling Suggestion of a middle course between | 9 |
CHAPTER III | 47 |
The despair of Critical Science not surprising What we set before | 54 |
CHAPTER IV | 75 |
CHAPTER V | 97 |
ON IMAGINATION | 179 |
CHAPTER VII | 199 |
Significance of the Title Originally applied to Poetry Here | 253 |
CHAPTER VIII | 257 |
Music is the art which has more direct connection than | 311 |
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多く使われている語句
Æschylus Aristotle artist attempt beautiful belongs called century CHAPTER cism comparison conscious critical science delight described despair doctrine doubt dreams Edward Lytton end of art end of poetry English criticism Euripides existence expression fact feel French critics G. H. Lewes Gay Science German gination give Greek hand hidden soul Homer idea imagination imitation instinct Italian knowledge language literature lives Lope de Vega Malebranche meaning memory ment Mesnardière method mind misanthropy modern Molière nature never object once passion peculiar perfect philosophy picture Plato poetical poetry poets prize Queen of Navarre question reason recognised regard Ruskin Sainte Beuve says Scaliger school of criticism science of criticism sense Shakespeare Sir William Hamilton sleep speak special faculty statement supposed taste theme theory thing thinkers thought tion true truth unconscious VIII whole word Wordsworth write