Shakespearian ComedyRoutledge, 2013/10/11 - 312 ページ First published in 1938. This is a survey of Shakepeare's comedies which illustrates the playwright's increasing grasp on the art and idea of comedy. Themes, characters and plays covered include: Romanticism in Shakespearian comedy; Shakespeare's Jew, Falstaff, The Taming of the Shrew, A Midsummer Night's Dream, and The Dark Comedies. |
目次
| 7 | |
| 9 | |
II Romanticism in Shakespearian Comedy | 19 |
III The Recoil from Romanticism | 44 |
IV The Taming of the Shrew | 73 |
V A Midsummer Nights Dream | 100 |
VI Shakespeares Jew | 123 |
VII Falstaff | 161 |
VIII The Dark Comedies | 208 |
IX The Consummation | 266 |
| 299 | |
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All’s amongst amorous Angelo Antonio appears Ariosto’s artistic audience author’s Bassanio become blood bond character circumstance classical comedy Comedy of Errors comic dramatist cool reason course dark comedies doth dramatic dramatist ducats Elizabethan fact Falstaff father fellows figure find first flesh fool genius Gentlemen of Verona happiness hath heart heaven hero heroines honour human ideal imagination instinct intuition King King’s lady less live Love’s Labour’s Lost lovers man’s material Measure Measure for Measure merely Midsummer Night’s Dream mind mood moral nature Night palpably passion Plautus play plot poet realised recognise Roman comedy romantic scene secure seems sense sentiment Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock significance Sir John social sort speare’s specific spirit story sympathy tale Taming thee Theseus things thou tion tradition tragedy triumph Troilus and Cressida Twelfth Night Valentine virtue whilst wooing worth young