The Cambridge Companion to Alexander PopePat Rogers Cambridge University Press, 2007/12/06 Alexander Pope was the greatest poet of his age and the dominant influence on eighteenth-century British poetry. His large oeuvre, written over a thirty-year period, encompasses satires, odes and political verse and reflects the sexual, moral and cultural issues of the world around him, often in brilliant lines and phrases which have become part of our language today. This is the first overview to analyse the full range of Pope's work and to set it in its historical and cultural context. Specially commissioned essays by leading scholars explore all of Pope's major works, including the sexual politics of The Rape of the Lock, the philosophical enquiries of An Essay on Man and the Moral Essays, and the mock-heroic of The Dunciad in its various forms. This volume will be indispensable not only for students and scholars of Pope's work, but also for all those interested in the Augustan age. |
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... London, a teeming and contentious universe which he dominated as “King of Parnassus.” To try to paint Pope's portrait, to consider the relationship of “Pope, self, and world,” is to enter into a battle for control of his image ...
... London, a teeming and contentious universe which he dominated as “King of Parnassus.” To try to paint Pope's portrait, to consider the relationship of “Pope, self, and world,” is to enter into a battle for control of his image ...
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... London into a symbol of moral self-possession and freedom from material attachment, Pope transforms the legal ban on Catholics owning property or living within the city limits into a sign of his personal distinction. These qualities ...
... London into a symbol of moral self-possession and freedom from material attachment, Pope transforms the legal ban on Catholics owning property or living within the city limits into a sign of his personal distinction. These qualities ...
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... London, portrays himself with a powerfully self-divided emblem that evokes both satire triumphant and satire disarmed. He is Orpheus, torn to pieces by the Bacchantes he spurned (shades of the Dunces' violent attacks), whose head ...
... London, portrays himself with a powerfully self-divided emblem that evokes both satire triumphant and satire disarmed. He is Orpheus, torn to pieces by the Bacchantes he spurned (shades of the Dunces' violent attacks), whose head ...
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... (London, 1809), ii, pp. 153–4. 8. Brean S. Hammond, Pope and Bolingbroke: A Study of Friendship and Influence (Columbia: University of Missouri Press, 1984), p. 121; Thomas E. Maresca, Pope's Horatian Poems (Columbus: Ohio State ...
... (London, 1809), ii, pp. 153–4. 8. Brean S. Hammond, Pope and Bolingbroke: A Study of Friendship and Influence (Columbia: University of Missouri Press, 1984), p. 121; Thomas E. Maresca, Pope's Horatian Poems (Columbus: Ohio State ...
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Achilles Alexander Pope ancient Anecdotes Atterbury Augustan Augustus Bathurst Belinda body Bolingbroke Cambridge career Catholic century Cibber classical Colley Cibber contemporary Corr couplet culture Curll defined deformity deism Donne’s Dulness Dunce Dunciad Edmund Curll eighteenth eighteenth-century Elizabethan Eloisa to Abelard English epic Epistle to Arbuthnot Essay on Criticism Faerie Queene figure final financial find first flow Fortescue Francis Atterbury garden gender Gilliver Homer Horace Horace’s Horatian human Iliad imagination imitation influence Jacobite John John Caryll John Dryden John Gay Jonson’s Lady Mary landscape later letters lines Lintot literary Lock London Lord man’s masculine modern moral nature notes Odyssey Oxford passage pastoral pillory poem poet poet’s poetic political Pope’s Pope’s poetry profit published Queen Rape reflected religion Renaissance rhyme satire significance soul specifically Swift Timon’s Tonson translation Twickenham University Press verse versification Virgil vols Walpole Walpole’s Warburton Whig William Windsor-Forest women words writing wrote