THE PROLOGUE. N EVER did I fo much as fip; No; my pretenfions to the Nine, Thefe rude, unpolish'd ftrains of mine, 1, at Apollo's hallow'd fhrine, Who taught the pie's or parrot's throat, Thofe founds which nature had deny'd, Nay, hang but lure enough in view, SATIRE I THE ARGUMENT. We may fuppofe the Author to be just feated in his study, and beginning to vent his indignation in fatire. At this very juncture, comes in an acquaintance, who upon hearing the first line, diffuades him, by all means, from an undertaking fo perilous; advifing him rather, if he needs must write, to accommodate his vein to the talte of the times, and to write like other people. Perfius acknowledges that this, indeed, were the readieft method to gain countenance and applaufe; but then adds, that the approbation of such patrons as this compliance would recommend him to, was a thing to be delired, on no terms at all; much lefs upon terms fo fhameful. After this, he takes occafion to expofe the wretched taste that prevailed then at Rome, both in their verfe and profe; and informs us what abominable stuff their noble poetafters not only fcribbled them. felves, but encouraged in others. Of these their miferable attempts in the way of poetry, the Author exhibits to us a fmall specimen : at the fame time lamenting, that he dares not speak out with the freedom allowable in former times, and practifed by his predeceffors in fatire, Lucilius and Horace. He then concludes, expreffing a generous difdain for all worthless blockheads whatever: The only readers whole applaute he covets, must be men of virtue and men of fenfe. PERSIU S. MONITOR. P. VAIN Card learns! Who'll read this canting preachAIN cares of man! all earthly things how vain! ing ftrain? P. Speak'it thou to me? Not one, i'faith, not one. M. The M. The cafe is piteous-P. Why a piteous cafe? For who at Rome is not a-? Might I fay, Viewing these hoary fools, enrag'd I glow : M. No. P. But my unruly fpleen with laughter fwells: What must I do when nature thus rebels? M. What must you do? The fame that others do: Obferve the course our other bards pursue. Pent in their lonely ftudies, they compote. Some, meafur'd numbers, fome, unfetter'd profe: But, be it profe or numbers, all they write 30 Is quite fublime. P. Sublime, no doubt on't, quite! Alike fublime: for fee from first to lait, The profe is fuftian, and the verse bombaft! It's author too, alike, the heavy load Puffs from his huge, rehearsing lungs, abroad. 35 Ver. 6. Polydamas frjooth!] He means here Nero and his minions; alluding to a paffage in a fpeech of Hector's. Homer's Iliad, b. 22. ver. 100 and 105. Ver. 9. Labea's page. Actius Labeo was a court fcribbler, who made a literal and wretched tranflation of ieveral books of Homer's Iliad into Latin. See verfe 115 and 272. Ver. 14. No, no; for others' judgments. This is fpoken conformably to that principle of the Stoic philofophy, which maintained that a wife man fhould not make other people's opinion, but his own right reafon only, his rule of action. And lo the promis'd Day! At length, 'tis here: A desk, rais'd high, the liftening throng controlls; He mounts, and out the melting poem rolls. His eye, a comment to his fenfe affords ; And adds immodeft looks, to wanton words. These are the means, the shameful means! that please : Rome's very nobles own the power of these. What! at this age, with thefe grey reverend hairs, Turn't thou a pander to fuch ears as theirs? Theirs! at whofe glutting praife, e'en thou wou'dft cry, Forbear! For bear! or elfe I burst, I die. "Well but, (Say you) what ufe does science yield, 40 45 "If in the parent mind it lie conceal'd? "If there the leaven fwell, in vain, for vent, 60 "If there the barren fig-tree ftill be pent?" O men! O manners! toils thy dotard head, Refigns thy cheek, for this, it's healthful red? Muft then the pageant, knowledge, needs be shown? 65 "Who hear, uncharm'd the whisper, there, that's be ?” "Nay more, the beauish sons of Rome rehearse, Their tutors teach, the beauties of your verse : And is it nothing, nothing, to become 70 "A leffon to the beauifh fons of Rome ?" Lo next our furfeit fots, call, o'er their wine, To hear the labours of a bard divine. Come, the productions of fome heavenly mufe, Who can repeat? cry they-And what enfues? 75 Why one, or other, of the purple beaus, A naufeous preface fnuffles thro' the nose; Some old, fome fad old tale, then forth he whines, Made fadder ftill by lamentable lines. Tells how Hypfipile a captive figh'd, 80 Or how poor fond deferted Phyllis died. Some fuch trite ditty, his refining throat All All hear attentive; and to crown the end, O happy author! thou art fure at rest; The guests all ring thy praife-Thrice happy thou! Now, raife not violets, from thy duft their head, 66 "O Sir, (jays one) your worship's pleas'd to fneer, (That nofe informs us) but you need not here. "For breathes there he, fo ftupid to difclaim The praife of men, the general voice of fame? "When fuch his labours, fuch his facred page, "As cedar's juice fhould vindicate from age; "Should bid to latest times, unfoil'd endure; 66 Of grocers, fearless; and of cooks, fecure?" 85 95 100 105 110 115 Ver. 101. As cedar's juice.] Bookfellers, to preserve their valuable books from growing mouldy, or worm-caten, rubbed them over with the liquor that diffilled from the cedar tree. See Pliny, b. 13. c. 13. Ver. 117. Helebcrated brain?] The antients made ufe of Hellebore, not only when they were difordered, but oftentimes too in found Health, purely to quicken the appicheafion. See Pliny, b. 25. C. 5• |